51��Ʒ��Ƶ

On Oct. 27, 2018, shock and sadness washed over 51��Ʒ��Ƶ’s campus, the city of 51��Ʒ��Ƶsburgh and the nation following the attack on the Tree of Life synagogue and its three congregations in Squirrel Hill. Eleven worshippers were killed and six others injured.��

“It impressed upon me the immediacy of antisemitism and the relevance it still has,” said Maja Lynn, who today is a 51��Ʒ��Ƶ senior majoring in museum studies and anthropology.��

Lynn was a first-year student at the time of the deadliest attack on the Jewish community in U.S. history, and before starting classes that fall, she had just spent twelve months as a volunteer at the Dachau Concentration Camp Memorial Site in Germany.

"I spent a year intensely thinking about the Holocaust," she said of the experience leading tours and completing archival research and a short biography of a former Dachau prisoner for the camp’s .

"And suddenly this horrific antisemitic attack was happening in real time, so immediate to what I'd been thinking about in a historical context," she said.

In the days that followed, she mourned, for the most part, alone. ��But eventually, she decided to channel her pain into purpose and community. That spring, she applied for the 2019 Tree of Life Scholars program, sponsored by 51��Ʒ��Ƶ’s Office of Undergraduate Research and 51��Ʒ��Ƶ’s Jewish Studies Program, as well as the Rauh Jewish Archive at the Heinz History Center and the Holocaust Center of 51��Ʒ��Ƶsburgh.

The program sought to collect and display student responses to the shooting.

The resulting collection, , was the first attempt in 51��Ʒ��Ƶsburgh and possibly beyond, to create an interpretive exhibit to understand and contextualize Oct. 27, said Eric Lidji, director of the��Rauh Jewish History Program and Archives��within the��,��where the parts of the collection have been housed since August of this year. Other materials from the collection are also on display at the Holocaust Center of 51��Ʒ��Ƶsburgh.

“As time passes, it will be a valuable resource for understanding how people — and younger people in particular — understood this event during that first year,” Lidji said. “The stakes were high, and they pulled off their exhibit with grace and sensitivity.”

Curating the collection

With no prior curation experience, Lynn and five other Tree of Life Scholars — Liam Sims (A&S ’21), Emily Dickson (A&S ’21), Claire Singer (SOC WK ’20), Drew Medvid (A&S ’19) and Kruthika Doreswamy (A&S ’21) — spent the summer of 2019 working on the exhibit under the guidance of��Laura Nelson, the assistant director of 51��Ʒ��Ƶ’s Office of Undergraduate Research, Scholarship and Creative Activity, and��, an associate professor in the Department of Religious Studies and director of the Jewish Studies program in the Kenneth P. Dietrich School of Arts and Sciences.

“The students had a particular perspective to share, and building an exhibit around those experiences helped foster resilience among young people in 51��Ʒ��Ƶsburgh as they responded to tragedy, violence and antisemitic, xenophobic hatred in their city,” she said.

Over the summer, Kranson took the scholars to Washington, D.C., to visit several museums and speak with curators knowledgeable about exhibits related to traumatic events.

“Every decision can feel fraught when curating an exhibit that commemorates tragedy,” said Kranson. “Talking with the curators of the U.S. Holocaust Memorial Museum — people who make those decisions every day — helped them recognize that nobody has all the answers. Thinking through each curation choice with sensitivity and care is all part of the process.”

Following the trip, the scholars compiled more information and perspectives. They engaged artists from MIT, local high schoolers and 51��Ʒ��Ƶ students to capture the essential components of the exhibit: student experiences, student reactions and artwork.

"It became the goal of the exhibit to represent and involve as many voices and perspectives as possible,” said Lynn. “It was important to represent people who felt the community wasn't listening or recognizing their pain.”

On Oct. 6, 2019, the exhibit debuted in the William 51��Ʒ��Ƶ Union’s Kimbo Gallery. It featured artifacts such as informational posters detailing the histories of the congregations, student quotes and official statements, displays of merchandise and memorabilia and artwork — including a sculpture shaped like a tree with outstretched roots made from mirrors and birch wood.