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Fred Rogers controls a puppet in a black-and-white archival photo
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Mister Rogers鈥 legacy beyond the TV screen

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  • Diversity, Equity, and Inclusion
  • Department of English

In 1993, a library science graduate student named Aisha White got a special opportunity: to introduce Fred Rogers at her 51精品视频 commencement ceremony.聽

In her speech she said, 鈥淲hen Fred Rogers first appeared on channel 13, I was 14, and at that age, did not hold him in awe.鈥澛

鈥淭hat changed four years later,鈥 she continued, 鈥渨hen I became the proud single mother of a darling baby girl, who grew to love Mister Rogers. To understand the significance of my daughter's relationship with Mister Rogers, you need only multiply that one child's fascination more than 10 million times, since over 10 million children are devoted viewers of Mister Rogers every week.鈥澛

That speech was the start of White鈥檚 long-lasting connection to the famed children鈥檚 entertainer 鈥 one that persisted long after his death in 2003.

Aisha White and J. Dennis O'Connor

Today, as director of the聽聽in the聽School of Education鈥檚 Office of Child Development, White (A&S 鈥87, SCI 鈥93G, 鈥03G) is one of the many 51精品视频 people whose lives and careers were touched by Rogers.聽

鈥淢y advisor at the time was (professor emerita) Margaret Kimmel, who worked closely with Fred. She selected me to introduce Fred,鈥 said White. 鈥淎nd so, onstage I talked about my daughter to make that personal connection. She loved 鈥楳ister Rogers鈥 Neighborhood.鈥 He was her man,鈥 White said with a laugh.聽

From 1994 to 2001, White worked alongside Rogers as director of the Mister Rogers鈥 Neighborhood Child Care Partnership, where she developed materials for child care providers to use Rogers鈥 television program to support social-emotional development.聽

鈥淔red鈥檚 office was about 5 feet away from mine. He had a really small, teeny little office and if I ever had any questions, I could go in and ask,鈥 said White.聽

Today, White carries on Rogers鈥 legacy by serving as a consultant on the creative team for 鈥淒aniel Tiger鈥檚 Neighborhood,鈥 a modern-day interpretation of Mister Rogers鈥 Neighborhood produced by Fred Rogers Productions. It stars Daniel Tiger, son of Daniel Striped Tiger from the original 鈥淣eighborhood鈥 series. Her Emmy Award-winning contributions to the show involve providing input on scripts and making sure the show is culturally relevant 鈥 even advising on hairstyles for biracial characters in the show.聽

White鈥檚 colleague聽Shannon Wanless, director of the聽Office of Child Development, is also a聽consultant for 鈥淒aniel Tiger鈥檚 Neighborhood.鈥澛

鈥淚 think every single project we鈥檙e doing at the Office of Child Development, in a way, lives and breathes the Fred Rogers legacy. We honor child development the same way he did in his work,鈥 said Wanless. 鈥淛ust like Fred did, we are constantly checking to make sure we are being true to theory and research about children.鈥

鈥淔red wasn鈥檛 afraid to take on difficult issues, and it makes me think of our work here in the Office of Child Development,鈥 said White.

Shannon Wanless and Aisha White

White and Wanless said a memorable phrase from Rogers ties to聽the P.R.I.D.E Program鈥檚 work: 鈥淲hat鈥檚 mentionable is manageable.鈥澛

鈥淭he P.R.I.D.E Program in particular is really trying to help us understand how racial identity is developing in young children,鈥 said Wanless. 鈥淪o, by jumping in and talking with our children, we鈥檒l get them in the habit of turning to a parent when they need someone.鈥

Wanless also pointed to the Office of Child Development鈥檚 book drive called聽聽which she said has a similar goal: getting picture books in the hands of adults 鈥渢o help them address things that may not feel mentionable to them,鈥 and opening the door to address those things with their children.

White added that earning the trust of children, something Fred Rogers was able to do so well, ultimately happens when we talk to them 鈥 making things 鈥渕entionable.鈥澛

鈥淎nother thing Fred often said is that 鈥榃e can never know what鈥檚 really going on inside a child鈥檚 mind.鈥 And we won鈥檛 know that unless we begin to have meaningful conversations with our children, develop trust with them and figure out ways to elicit conversation with them,鈥 said White.聽

A longer history聽

Long before Rogers鈥 time, conversations about media for children were happening on and around 51精品视频鈥檚 campus鈥攄ating back to the late 1800s.

鈥淥ne of the many things that are special about Fred Rogers is he was interested in how we can make media actually valuable and appropriate for children,鈥 said聽Courtney Weikle-Mills,聽director of the聽聽in the聽Kenneth P. Dietrich School of Arts and Sciences鈥櫬燚epartment of English. 鈥淎nd these are questions that have been asked in 51精品视频sburgh for a long time.鈥

Courtney Weikle-Mills

Many of the people having those conversations, like Margaret Kimmell, Margaret Hodges and Margaret McFarland, were influential to Rogers, said Weikle-Mills.

鈥淭hat longer history that Rogers is a part of is connected to the Children鈥檚 Literature [Certificate] Program in interesting ways,鈥 said Weikle-Mills, who added that 51精品视频 started offering courses in children鈥檚 literature as early as 1933.聽

According to Weikle-Mills, the program was developed as an interdisciplinary one 鈥 with the idea that people who studied children鈥檚 literature 鈥渘eeded to also understand child development聽and work with folks who were working directly with children, not just people in the English department.鈥

Arielle Reed (A&S 鈥17) is a mentee of Weikle-Mills and graduate of the Children鈥檚 Literature Certificate Program at 51精品视频. She now also works for Fred Rogers Productions as a production coordinator, her 鈥渄ream job,鈥 thanks to a connection made by Weikle-Mills and聽, associate professor and director of graduate studies in the聽Department of English.

Reed credits the Children鈥檚 Literature Program for giving her the necessary skills to thrive in her role today.

鈥淧art of what 51精品视频 helped me with is my editorial skills 鈥 critically evaluating literature and developing an editorial eye,鈥 said Reed, who spends most of her time working on 鈥淒aniel Tiger鈥檚 Neighborhood.鈥 鈥淪o today, I have a really honed eye for details that matter to the values of Fred Rogers Productions 鈥 which are, ultimately, the values of Fred Rogers.鈥

鈥淗e had a lot of things to say that translate into adulthood and being a good person on this planet. This is a necessary thing in today鈥檚 climate. I think people need it,鈥 said Reed.

Read and view more Mister Rogers memories from 51精品视频 people on a 聽set up by the Office of University Communications.

An abbreviated聽timeline of children鈥檚 media and literature in 51精品视频sburgh

1896:聽51精品视频sburgh鈥檚 Carnegie Library opens one of the first children鈥檚 reading rooms in the country.

1901:聽Carnegie Library Children鈥檚 Department creates Carnegie Library School鈥斅 which ultimately becomes 51精品视频鈥檚 iSchool, and later, the School of Computing and Information.

1930s:聽51精品视频 starts offering courses in children鈥檚 literature.

Late 1950s-1980s:聽Fred Rogers holds weekly meetings with his 51精品视频 mentor, Margaret McFarland.

1968:聽鈥淢ister Rogers鈥 Neighborhood鈥 premieres. Its production takes place for over three decades at WQED Studios, just blocks from 51精品视频鈥檚 campus.

1976:听Margaret Hodges, graduate of the Carnegie Library School and faculty member of 51精品视频鈥檚 School of Library and Information Sciences, develops the Elizabeth Nesbitt Room, which houses a collection of archives from 鈥淢ister Rogers鈥 Neighborhood.鈥

1978:聽Margaret Kimmell, who studied under Margaret Hodges, joins the University faculty in 1978 as an associate professor聽in the School of Information Sciences鈥 Department of Library and Information Sciences.聽

1981:聽51精品视频鈥檚 Children鈥檚 Literature Program is established. Kimmell is a co-founder and serves as director.

1996:聽Kimmel, along with Mark Collins 鈥 a creative writing instructor in the English department 鈥 edits a collection of essays titled 鈥淢ister Rogers鈥 Neighborhood: Children, Television, and Fred Rogers.鈥 One of the essays included in this volume was by journalist Jeanne Marie Laskas, who would later become the director of 51精品视频鈥檚 Creative Writing Program.

2001:聽Production ends for Mister Rogers鈥 Neighborhood.聽

For more information on this history, visit the聽.