51��Ʒ��Ƶ

Hands steadily tap a tightly wound drum. An shekere pitter patters amid a sea of female vocals. This is Abafasi, with the song “Funga Alafia,” opening the University’s musical Juneteenth event, From Swing Low to Strange Fruit.

��Dz��ٲ���, assistant professor in 51��Ʒ��Ƶ’s Department of Music, and James Johnson, founder of the Afro-American Music Institute in 51��Ʒ��Ƶsburgh, guide the audience through a series of performances and provide context to listeners before each segment of the hour-plus pre-recorded event.

“Though struggles still remain, music continues to sustain us,” Aaron Johnson says. In Abafasi’s case, the drums serve as an act of rebellion and a means of communication between the enslaved.

As the event’s name implies, 12 51��Ʒ��Ƶsburgh-based artists move through time, from Julliard-trained vocalistJames Martin performing Duke Ellington’s “Come Sunday” to “9:27pm x BrothaMans” by up-and-coming 51��Ʒ��Ƶsburgh-based hip hop artist BrothaMans. 

Paula Davis, associate vice chancellor for diversity, equity, and inclusion in the health science sand the event’s coordinator, said that choosing local artists was an easy decision, since 51��Ʒ��Ƶsburgh is in no short supply of talent.  

Watch the entire performance in the video above or on the Office of Diversity, Equity, and Inclusion’s YouTube page.